Marguerite deAngeli Collection

Lapeer District Library

Hedwig Doll Exhibit

 

Marguerite deAngeli created a stream of children's fiction that enriched our country s literature and described its astonishing cultural diversity. Mrs. deAngeli's best-loved tales are about girls growing up in America, some long ago, some in our own century.

Each doll is a three dimensional double of Mrs. deAngeli's illustrations. They were produced during the 1940's and 50's.


Let me keep him Ma, PLEASE! I'll tend and feed him, honest.
COPPER-TOED BOOTS - 1938 page 83
Take good care of the creatures...called Pop again, Feed and water them well.
YONIE WONDERNOSE - 1944 page 35
He and Suzanne dragged the tree to the edge of the wood where Rogue waited with the sled.
PETITE SUZANNE - 1937 unnumbered pages Suzanne walking with Uncle Jacques
Lydia, sitting on the porch working on her mat, was thinking how much she wanted to go to Lancaster with Pop. But, she must finish the little rug first. HENNER'S LYDIA - 1936 unnumbered
Suddenly Elin screamed. Something has bitten her...As soon as she cried out Lamefoot drew her quickly away and set her down an a log.
ELIN'S AMERIKA - 1941 unnumbered pages Elin being helped after the snake bite
Hannah pinched her lips together and scowled at the offending bonnet. At the top of the stairs she dropped it, them with a kick, sent it flying!
THEE HANNAH - 1940 in church with mother
Anelia began to think it hardly worthwhile to tell what she knew but, she and Cecelia and Michael danced the Krakowiak as they had learned it at Saturday school...
UP THE HILL - 1942 cover illustration

Marguerite deAngeli and the Hedwig Dolls

Excerpted from Ann Bahar, Marguerite deAngeli and the Hedwig Dolls Doll Reader, May, 1988
Used with permission. Subscription information available by calling 1-800-829-3340

The Hedwig Dolls label may help collectors identify dolls from this series. Printed in black on a cream background, the label was originally attached to the wrist of each doll.

When a collector suggested that dolls be crafted to resemble the book children, Mrs. deAngeli and her friend, Hedwig Ryglewicz leapt at the idea. Hedwig, an expert needle-woman, volunteered to costume the dolls as three-dimensional doubles of their painted selves.

Mrs. deAngeli's publishers, Doubleday and Company, were delightedly the project. It was agreed that the dolls would be called Hedwig Dolls and that each would sport a round yellow-and-black cardboard tag around its wrist. One side would bear a picture of Lydia, Suzanne, Hannah and Elin as they appear in the books. The reverse would carry the motto: Hedwig Dolls Registered- Authorized Characters from the books of Marguerite deAngeli.

Before Hedwig could consider fabrics and design patterns for costumes, the two friends combed New York's doll manufacturing district in search of a satisfactory deAngeli book illustration look-a-like. They settled on an (unmarked) Ideal Toy Company 14inch composition doll and placed an initial order for 100 to be shipped to Mrs. Ryglewicz's New Jersey address.

Hedwig custom-designed wigs to fit the four deAngeli characters she planned to dress first. Thus, Amish Lydia had auburn braids twisted into a bun at the nape of her neck. Suzanne's yellow hair flies free in a mohair bob while Elin's is neatly braised. Hannah's hairdo, true to long-ago Quaker practice, is brushed smoothly away from her face and pinned at the back of her head.

In the books, Marguerite deAngeli's children wear different outfits on different pages, a detail which enhances the stories' slice-of-life impact on the reader. Hedwig paged through each book to select the outfit she wished to replicate for her character doll. [You] are encouraged to study the illustrations that inspired the costumes.

Hedwig created deAngeli dolls for 20 years, and pronounced differences exist between early dolls and those purchased and costumed later. [The dolls were produced as exhibit supplements used for Doubleday Book Salesman, and were available for purchase only through Doubleday.] These dolls are treasures from the 1940'sand 1950's, the delightful products of a unique collaboration between an imaginative needle-artist and a gifted author/illustrator. However, for those of us who were raised on the deAngeli books, the measure of a Hedwig doll goes far beyond its value as an offbeat collectible. It is everyone's favorite dream made real - a beloved character from story land come to life.


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Electronic reprint rights granted to Marguerite deAngeli Collection; Lapeer District Library by the Estate of Marguerite deAngeli

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